Michael Mann takes digital cameras & Johnny Depp to the 1930s in this interesting movie that tries to be both classic gangter romp and reinventive art film. But is it more like Collateral and less like Miami Vice?
It’s Love modern style versus Love 1965 style in this romantic comedy/drama from the director of Socha Na Tha & Jab We Met. But is twice the romance enough to live up to the director’s previous juggernauts, or does it leave you heartbroken?